Curious

Chapter 3: The Blue Paint on the Ivory Satin

For several seconds, I couldn't speak.

The torn photograph lay in the trash beneath a coffee filter and a crumpled grocery receipt.

Brianna watched me from the kitchen doorway.

"What?"" she asked.

"It's just a picture.""

I reached into the bin and retrieved the pieces.

Vanessa continued stirring her coffee.

"If you insist on digging through your father's private papers, you should expect to find things that don't concern you.""

"My mother gave me that photograph.""

"Your mother gave you a lot of things, Nia. That doesn't mean you can demand explanations about every decision she ever made.""

I pressed the torn edges together.

"You didn't even ask what it meant.""

Vanessa shrugged.

"Would knowing change anything?""

I looked at Brianna.

She smiled.

"No, probably not.""

I took the photograph upstairs.

Using clear tape, I joined the two pieces as carefully as I could. The tear ran through my mother's shoulder, but her face remained intact.

I placed the photograph inside my sketchbook.

Then I turned back to the dress.

I had less than forty-eight hours before Whitmore Atelier expected to see it.

The final embroidery took another three hours. I worked with my bedroom door locked and my phone on silent, refusing to let the tension downstairs distract me.

By midnight, the silver vines were finished.

I held the gown up beneath my desk lamp.

It was beautiful.

Not perfect, perhaps, but beautiful in a way that made me think of my mother standing beside her sewing machine, humming while she worked.

I whispered a promise to her.

"Whatever happens, I'm going to finish what you started.""

The next morning, I left early for school.

Before I walked out, I checked the lock on my bedroom door twice.

I even moved a small chair beneath the handle.

It should have been enough.

But when I returned home that afternoon, the smell of paint hit me before I reached the stairs.

Sharp. Chemical. Wrong.

My bedroom door stood open.

The chair had been pushed aside.

I ran inside.

The ivory gown hung from the garment rack, but thick blue streaks covered the bodice. Paint had soaked through the satin, spread across the lining, and hardened into uneven patches along the skirt.

A half-empty container sat on my desk.

For several seconds, the room seemed to tilt.

"No," I whispered.

I rushed toward the gown and touched the fabric.

The paint was already drying.

My hands began to shake.

Brianna sat beside the window, scrolling through her phone.

"What did you do?""

She glanced up.

"Oh. You found it.""

I stared at her.

"You poured paint on my dress.""

"Relax. It was an accident.""

"You were in my room!""

"Maybe you should have locked your door.""

"I did!""

Brianna shrugged.

"Then someone must have unlocked it.""

I gripped the ruined satin.

"You knew I needed this for graduation.""

"Then make another one.""

"It's tomorrow!""

"Sounds like a you problem.""

I stepped toward her.

"Why do you hate me so much?""

She stood up abruptly.

"I don't hate you. I just don't understand why everyone has to pretend you're special because you can sew.""

"No one is pretending anything.""

"You think you're going to become some famous designer? You think a dress you made in your bedroom is going to make you better than me?""

"I never said that.""

"You don't have to.""

She snatched the paint container from the desk and held it up.

"Look, it was an accident. You can keep crying about it, or you can stop acting like the world owes you something.""

Vanessa appeared in the doorway.

"What is happening now?""

I pointed at the gown.

"Look what Brianna did!""

Vanessa inspected the paint, then turned to her daughter.

"Brianna, darling, how did this happen?""

Brianna lowered her eyes.

"I was carrying the paint downstairs. I tripped.""

"The container was on my desk!"" I shouted.

"She came into my room while I was at school!""

Vanessa sighed.

"Enough, Nia.""

"Enough? She destroyed three months of work!""

"It's a dress.""

"It's my graduation dress!""

"Then make another one.""

I stared at her.

"With what money? With what time?""

Vanessa folded her arms.

"That is not my problem.""

Dad arrived home ten minutes later.

He had barely stepped through the door when Vanessa hurried to him.

"Marcus, you need to deal with your daughter. She's screaming at Brianna over a little accident.""

I followed them into the living room, carrying the ruined gown.

Dad looked at the blue stains.

His face tightened.

"Nia, what happened?""

"Brianna ruined my dress. She poured paint all over it.""

Brianna began to cry.

"I didn't mean to! I told her I was sorry, but she keeps attacking me!""

"I never said you were sorry!""

Vanessa placed a hand on Brianna's shoulder.

"Look at her, Marcus. She's terrified.""

I looked at Dad.

"Please. Just look at the paint container. It was on my desk.

The door was locked. She had to force her way in.""

Dad rubbed his forehead.

"Do you have proof she did it on purpose?""

I opened my mouth.

Then closed it.

Brianna's expression shifted for a fraction of a second.

She knew I had no evidence.

"No," I said quietly.

Dad exhaled.

"Then let's not turn this into a family fight.""

I stared at him as though I had never seen him before.

"You're taking her side?""

"I'm trying to keep the peace.""

"By letting her destroy something I spent three months making?""

"That's not what I'm saying.""

"Then what are you saying?""

He looked away.

"Go upstairs, Nia. We'll discuss this later.""

I wanted to scream.

Instead, I carried the ruined gown upstairs and closed my door.

I sat on the floor beside the sewing machine and cried until my throat hurt.

The paint had spread across the satin like a wound. Every silver vine I had embroidered seemed to disappear beneath the blue stains.

I thought about my mother's hands.

I thought about the note.

Never let anyone convince you that your work has no value.

Then I remembered something my supervisor at the alterations shop had told me.

"Never throw away a damaged garment before you understand what can be saved.""

I wiped my face.

The satin was ruined in places, but not everywhere. If I removed the affected panels, I might salvage the bodice. I could replace part of the skirt, though I would need new fabric.

There wasn't enough time.

I reached for my phone and opened the email from Whitmore Atelier.

I began typing.

I'm sorry, but I may not be able to bring the original gown. Someone damaged it, and—

I stopped.

What was I supposed to say?

That my stepsister had destroyed my dress and my father had refused to help?

I deleted the message.

Then I opened the photograph of the ruined gown and sent it to Tessa.

Her reply came immediately.

*Tessa:* WHO DID THIS?

*Me:* Brianna.

*Tessa:* I'm coming over.

*Me:* Don't. Please. I need to think.

I set the phone aside and examined the damage again.

Then something caught my attention.

The paint had soaked through the satin, but the silver embroidery remained visible beneath the worst stains.

I touched one of the vines.

A memory surfaced.

My mother had once shown me how to remove a damaged section of embroidery without destroying the entire piece. She had used the technique on a vintage wedding gown after a candle had burned through its outer layer.

The gown had looked beyond repair.

She had saved it.

I rushed to the sewing box and searched for the small curved needle.

It was missing.

Someone had taken it.

I stared at the empty velvet sleeve.

Then I noticed a folded scrap of paper beneath the lining.

It was a page from my mother's old notebook.

There were measurements, fabric notes, and a name written in the margin.

*Eleanor Whitmore — Original Collection, 2009.*

Below it was a second line.

The final pattern is not in the archive. Marcus has the blue folder.

My heart began to pound.

Dad hadn't simply forgotten the folder.

He knew exactly what it contained.

And if my mother's note was telling the truth, then the dress I had created might be connected to something far more valuable than a graduation gown.

I was still staring at the page when my phone vibrated.

It was an email from Eleanor Whitmore herself.

Dear Nia,

I understand there has been an unexpected problem with your submission. Please do not discard the gown.

There is something important I need to explain to you in person.

And please, whatever you do, do not let anyone else take possession of your original work.

I read the message twice.

May you like

Then I heard Vanessa's voice outside my door.

"Nia, open this door. We need to talk about your dress.""

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